As the year comes to an end, Editor-in-Chief and Literature Editor, Olivia considers the books that marked her year.
Read MoreOn Christmas Eve Eve, Rory Mara visits Lyme Park in deep fog and explores its connections to Pemberley and Austen.
Read MoreAs December rushes by, the Attic editors settle down with their books, some revisiting holiday classics and others discovering harrowing non-fiction.
Read More“What the lyrics to these carols contain is a kaleidoscope of images — a hare, a tree of life, christ winning humanity in battle, an eagle bearing a lover away, a spotless rose. Listening to them, the winter glows with light and fantasy until the light comes back. “
Read MoreHaving read Sally Rooney’s Normal People at the same time, Lauren and Olivia discuss the novel.
Read MoreAccompanied by an original illustration by Rachel Tay, Eliza Campbell addresses the November spirit while contemplating Ruth Negga as Hamlet, Hozier’s recent ‘Movement,’ and a passage from T.S. Eliot’s ‘The Wasteland.’
Read MoreThe Attic on Eighth Editors round up their November reads.
Read MoreHeads fly and Arcadia is born. Beauty Editor & Resident Medievalist, Rory Mara turns to horror in order to retell the Italian folk tale of Costanzo/Costanza as a mashup with the Renaissance story of Arcadia.
Read MoreNot one for scary stories, Olivia shares ten understatedly spooky reads that’ll get you into the October spirit without making you jump out of your skin.
Read MoreThe Attic on Eighth Editors share their October reads.
Read MoreSecondary English lit teacher, M. A. McCuen introduces us to contemporary young adult fiction that appeals to the literary minded.
Read MoreContributor Rachel Tay revisits Ali Smith’s 2016 novel in the early days of autumn.
Read MoreThe Attic on Eighth editors share what it is that they’re reading at the moment.
Read MoreIn her first piece for the Attic, Rachel Tay delves into the world set to stage by Tara Isabella Burton’s Social Creature.
Read MoreIn her first piece for the Attic, Nataly Ramírez Baeza discusses readership of women’s literature in Chile, from the Belle Epoque to today.
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